"You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of 'the artist' and the all-sufficiency of 'art' and 'beauty' and 'love,' back home to the ivory tower, back home to places in the country, to the cottage in Bermude, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time--back home to the escapes of Time and Memory."

- Thomas Wolfe
You Can't Go Home Again

Tuesday, June 8, 2010

Gothic Appalachia

I arrived at Sassafras, the artist's collective located about twenty minutes from Ragmar, several days ago after trying to pack up the last of my stuff.  As I trekked to and from from my car, it began to thunder and rain, and out-of-nowhere I received this barrage of text messages from the Scottish Whore.  I last texted her two weeks ago.  She proceeded to "show me" how she and Indigo Boy had "something" as I carted stuff back and forth from my car in the rain.  I thought I was done hearing from her or about the whole mess.  She's just a dumb-ass bitch in my book.  Stupid whore making my blood boil again.  I told her to fuck him or someone else and just to fuck off.  Things aren't working out between them and now she's getting psycho on me.  Just stirring up shit because she can't leave well enough alone.  Doing everything now to screw the both of us.  And still I try to find peace in the woods of Tennessee 2000 miles away from L.A.  I'm glad I'm not there because she's the type of woman who would go to extreme measures to get back at us because she finally got dissed by him.  And I am glad to be here because I have peace; they don't.



I have found my peace here at Sassafras.  My cellphone has no reception, so phone calls and text messages are few and far between.  What relief.  What silence.  What a breath of fresh air.  I have Internet connection, my computer, great company, a gorgeous structure of windows and carefully-hewn wood to call home and 300 acres of verdant woods to roam and find reason.

I also have the company of two gorgeous L.A. artists: Judd is all tatts and overalls, Appalachian beard and an easy, lovely laugh; Anouk is all limbs and a cascade of red hair--the Lady Godiva of Hippie Hill.  They've brought a little rock'n'roll and a fine eye to the mountains of Tennessee.  They are sophisticated modern Gothic aesthetes.  A mid-century modern Danish couch and table line one side of the Great Room--an awesome 60 foot high room that's all windows.  A hand-crafted wooden trapeze swing dangles from the ceiling above a massive Chinese carpet.  A taxidermied deer head, a Victrola with a disco ball plugging its mouth, an impressive book and record collection, happy plants and an electric piano line the walls.  I've found my little niche in the Great Room and write there as the sun pours through the windows, the ceiling fans overhead creating a rhythmic lull, or as the rain drums on the deck wrapping around the house or as night falls and I switch on the Noguchi-esque lamp.

Anouk and I have become fast friends.  She reminds me of my friend, Remy--this stunning model-sized woman who is all heart and fierce style.  We've taken refuge in one another, I think, because we are cut from the same cloth: both L.A. girls, both grappling with how to make money as artists, both loving and disappointed by men, both fun, flirty women who can talk for hours over wine and cigarettes.  Judd is impressive for his kind personality and strong work ethic.  He can build or fix anything.  Recently, he began a construction project in the woods: a sturdy structure with a metal roof that will be encased completely by walls of antique windows.  He wants to put a pot belly stove in there for the winter when the people who live here or a visiting artist can go and make art as the snow falls around them.

Over the weekend Judd had help from two friends visiting from Los Angeles as they made their way to New York.  The four guys--"two drunk retards and two queer mountain men," à la Judd--raised the roof on the structure.  Naturally, I thought the two drunk retards, Xavier and Paul, were also queer as everyone else is around these parts or who visit.  I've been the lone straggling straight person.  Despite the fact that they--absolutely charming, lovely men--dressed up in drag, all chains and pink dress and tacky red Liza Minnelli 80s Dynasty dress and polka dot bow, to go to this queer music festival with Anouk, I learned later that, no, in fact they weren't gay at all.  Just really fucking fun straight guys with a firm grasp on good cheer!

I had a rockstar weekend with the lot of them, drinking whiskey on the porch and nursing bad hangovers the next morning.  The day before Xavier and Paul left, the three of us hiked for two hours up the dense wooded mountainside, through a depressing decimated clearcut where we got lost, and back down through the trees and foliage to the Refuge.  We hiked and walked for hours in our tall rainboots that we wore to protect us from chiggers and ticks.  Eventually, we made it to Ragmar's (after walking another 45 minutes or so from the Refuge to his property) and collapsed onto the hammock.  Anouk had to come pick us pathetic city slickers up, but we showered, had a lovely dinner of shrimp scampi and salad and slept like babies.


No comments:

Post a Comment